Eternal Return opens May 11 4-6pm

Trine Bumiller
Erika Osborne

Paintings about the cycle of life and death in wildfire burn scars.

Thursday, May 11, 4-6 pm

Thursday, May 18, 12-1 pm

McNichols Civic Center Building 1st floor
144 West Colfax, Denver, Colorado
Through June 2, 2023

*Parking is limited so please plan on extra time to arrive




Love Letter from a Sinking Ship – Musical Arrangements by Abby Kellems

Love Letter from a Sinking Ship, 2019
oil on canvas 
54″ x 60”

 I am so honored to have four of my paintings   transformed into a musical arrangement by the   amazing Abby Kellems

 The performance is this Wednesday! Each   movement Abby composed is inspired by   specific  paintings in my series Floaters and   Focal Points. “The paintings (and the music) are   about looking at   the difficult realities of climate   change and finding   redemption.” – Abby Kellems

Admission is free, and you can also livestream the concert navigating to the Chamber Hall video feed.

Disappearing Birds of North America

I’m very excited to be a participating artist in the Disappearing Birds of North America project. I was given the task to represent one of the 389 birds that are on the brink of extinction in North America, based on the National Audubon Society’s groundbreaking climate report, Survival by Degrees: 389 Bird Species on the Brink. Thanks for asking me to participate Jen Delos Reyes! 

Chasm of the Bingham part of permanent collection at Phoenix Art Museum

I can’t believe that my painting, Chasm of the Bingham, was acquired for the permanent collection at the Phoenix Art Museum! Thanks to Robischon Gallery, Tomorrow’s Harvest and curator Besty Fahlman for making this possible! I am so thrilled to have my work alongside such amazing historic Western paintings. (Image credit: Phoenix Art Museum, photo by Airi Katsuta)

Landscapes of Extraction: The Art of Mining in the American West

I am so honored to be part of this exhibition, curated by Betsy Fahlman, at the Phoenix Art Museum. If you’re in the area, the exhibition will be hanging until March 6th, 2022. If you can’t make it to Phoenix, the Hirmer publication accompanying the exhibition is worth its weight in gold (no pun intended)! I am still pinching myself that the book designers chose my painting for the hardback cover.

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